(Vocal/instrumental group, 1984–95) Taking a leaf out of the books of Hendrix and Bad Brains, Living Colour – Vernon Reid (guitar), Corey Glover (vocals), Muzz Skillings (bass, replaced by Doug Wimbish) and William Calhoun (drums) – were a black rock band formed in New York. Three albums, Vivid (1988), Time’s Up (1990) and Stain (1993), all charted ...
Messiaen’s creative personality and influence as a teacher were fundamental to the development of new music in Europe after 1945. He was Debussy’s natural successor, taking the French master’s innovative approach to harmony and rhythm to a new plane, while sharing his openness to the music of other cultures. Although by the late 1940s the main elements of Messiaen’s ...
‘Living In A Box’, 1987 This self-titled single was Living In A Box’s only Top 40 hit in the US. In the UK, however, the group enjoyed much more success, with a short run of Top 10 singles. They disbanded before their third album was released, and vocalist/guitarist, Richard Derbyshire, included several songs slated for ...
(Vocal/instrumental group, 1979–present) Huey Lewis (b. Hugh Cregg III, vocals, guitar) and Sean Hopper (vocals, guitar) were refugees from country rock band Clover. They found global success with the pop-inflected blue-collar rock of their next incarnation. Their third album Sports (1983) became an American No. 1, and bore three Top 10 US tracks including ‘Heart And ...
Funk stars of the 1970s like The Ohio Players, Sly & The Family Stone and Funkadelic didn’t realize for a decade that hard rock ears had been paying attention. That same decade, Aerosmith’s combination of white-boy electric blues and propulsive arena hard rock had been deemed as unique, with just Grand Funk Railroad working along the similar lines. ...
As part of the Renaissance (literally ‘rebirth’), which began in Italy in around 1450, the Baroque era was a revolution within a revolution. It saw a break from the Medieval view of humanity as innately sinful. Instead, Renaissance thinking cast individuals as a dynamic force in their own right and gave free rein to human imagination, ingenuity and ...
Futurism was an artistic movement of the early twentieth century. Its influences spread to all areas of the arts, including literature and the visual arts as well as music. The main force behind the movement was the Italian writer Filippo Marinetti, who published the definitive manifesto of the Futurists in 1909. With declared enthusiasm for modernity and new inventions ...
The Italian city of Cremona has been celebrated since the sixteenth century for the manufacture of stringed instruments. The first famous family of makers there was the Amati. Andrea Amati (c. 1505–80) founded a dynasty that included his sons Antonio (c. 1538–95) and Girolamo (1561–1630). But it is the latter’s son Nicolo (1596–1684) who is usually regarded as the most outstanding ...
Gamelan music had a great influence in the West, notably at the 1889 Grand Universal Exhibition in Paris, where the shimmering timbre of the orchestra made a profound impression on Debussy and Ravel. The gamelan was introduced to the United States at the Chicago World’s Columbian Exposition in 1893. This musical style comes from the very diverse Indonesian culture ...
Between 1860 and 1918 Wagner became the most influential intellectual figure in Europe. For his Gesamtkunstwerk (‘Complete Art-Work’) he drew on a wide range of inspirations, including Greek tragedy, the symphonies of Ludwig van Beethoven (1770–1827) and his own historicist ideas of realizing the latent tendencies of all arts. This ensured that his music-dramas reached into almost every area ...
By the 1950s, Modernism in its new manifestations was well established, with strongholds in the Darmstadt courses and at the Donaueschingen Festival, as well as in Paris and Cologne. Its strength was increasingly felt in the US as well as Europe, with Babbitt, Wolpe and Carter all evolving individual lines of development. The most striking instance ...
By the early nineteenth century, the orchestra was fairly standardized: strings, divided into first and second violins (typically about 16 each in a full-size group), violas (12), cellos (12) and double basses (8); woodwind, consisting of two each of flutes, oboes, clarinets and bassoons; and brass, usually two or four horns, two trumpets, ...
The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...
A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...
The flute most familiar to us from its use in orchestral and solo music is more properly known as a ‘transverse’ or ‘side-blown’ flute. The flute family is distinct from the other woodwind instruments in that it does not use a reed to generate sound. Instead, a stream of air striking the edge of an opening in the side of ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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David Bowie
Fantastic new, unofficial biography covers
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